Monday, January 27, 2014

Film Review: The Wolf of Wall Street



The Wolf of Wall Street. Rated R18+ (high impact sex scenes and drug use). 179 minutes. Directed by Martin Scorsese. Screenplay by Terence Winter. Based on the book by Jordan Belfort.

Verdict: Vanity project or cautionary tale? You decide.

If there’s a point to this long, raucous and rambling epic about an ambitious young stockbroker’s fall from the dizzying heights of a particular kind of success, it’s difficult to know what it might be.

Through his brokerage firm Stratton Oakmont, Jordan Belfort (Leonardo DiCaprio at full stretch) ripped off unsuspecting investors in the 1990s. Before he was finally convicted of fraud and jailed, lots of people suffered the consequences; except Belfort it would seem, as he went on to the lucrative international motivational speakers circuit. And why anyone thought that this sordid tale of debauchery, set in the darkest depths of a moral vacuum, should take three hours to tell is a complete mystery.

Problematically, Belfort’s fall from a certain kind of power and influence might be easily considered as unremarkable and equally well-deserved, and it is odd that Scorsese and DiCaprio considered his tale of drug- and sex-crazed indulgence a worthy subject for their fifth cinematic collaboration.

The only revelations are the extraordinary, break-out performance from Australian-born Margot Robbie (Neighbours) as Belfort’s wife Naomi, and an excellent sequence of clowning brilliance as DiCaprio attempts to get back into his car while almost completely paralysed by the effects of a high number of drugs.

Scorsese and Winter (Boardwalk Empire, The Sopranos) take an each-way bet on the extent to which we will care about their fraudster and his eager band of disciples, led by the loyal and enthusiastic Donnie (the always reliable Jonah Hill). DiCaprio plays Belfort as some kind of financial market revolutionary, when in fact, his collision of business misadventures is a good deal less fascinating than the attention this handsomely over-produced film suspects it deserves.

This review was commissioned by the West Australian Newspaper Group.

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